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                <text>Pour le cercle des officiers, Marius Boyer reproduit le dessin de la faÃ§ade de lâ€™HÃ´tel de la subdivision militaire, actuel consulat de France (Laprade 1916). &#13;
&#13;
Les deux bÃ¢timents en retrait, encadrent ainsi symÃ©triquement lâ€™imposant tribunal de Marrast et participent Ã  lâ€™ordonnance de la place telle que voulue par le RÃ©sident gÃ©nÃ©ral Lyautey. &#13;
&#13;
Les deux Ã©difices  Ã  vocation militaire sont ainsi les moins spectaculaires de la place, Ã  lâ€™Ã©chelle dâ€™habitations, comme si lâ€™armÃ©e cherchait Ã  se faire discrÃ¨te derriÃ¨re les Ã©difices publics monumentaux. &#13;
&#13;
Les salons de lâ€™Ã©tage, lambrissÃ©s de zellijs, ouvrent sur une grande terrasse dominant la place. &#13;
&#13;
Un temps ouvert au public par lâ€™intermÃ©diaire dâ€™un restaurant marocain "le Rissani", le Cercle des Officiers a repris une fonction purement militaire. &#13;
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                <text>Les nouveaux abattoirs municipaux, bÃ¢tis Ã  proximitÃ© de la gare Casa-Voyageurs, au sud de la voie ferrÃ©e, succÃ¨dent Ã  ceux construits en 1908 sur lâ€™actuelle place des Nations Unies. La ville compte alors 100Â 000 habitants, et lâ€™ampleur du projet tÃ©moigne de la vision de son extension future suivant les plans dâ€™urbanisme de Prost et des prÃ©occupations hygiÃ©nistes de lâ€™Ã©poque.&#13;
&#13;
Sur cinq hectares, de vÃ©ritables rues et places relient les diffÃ©rents bÃ¢timentsÂ : en pÃ©riphÃ©rie, les locaux administratifs et les logements en Ã®lots isolÃ©s, entourÃ©s de jardins, au centre, dans la grande rue axÃ©e sur lâ€™entrÃ©e principale, les Ã©curies et les bÃ¢timents dâ€™abattage reliÃ©s directement Ã  lâ€™immense halle. A celle-ci, sâ€™adosse la tour des frigorifiques en partie effondrÃ©e suite Ã  un incendie. A cela sâ€™ajoutent les bÃ¢timents nÃ©cessaires au traitement des carcasses, peaux, etc.&#13;
&#13;
Ces constructions illustrent les progrÃ¨s de la maÃ®trise du bÃ©ton armÃ©, technique rÃ©cente en 1922. Des poutres de seize mÃ¨tres de portÃ©e rythment le bÃ¢timent principal de 160 mÃ¨tres de long. A lâ€™extÃ©rieur, des claustras de ciment assurent la ventilation et lâ€™Ã©clairage naturels. &#13;
&#13;
Le style de lâ€™ensemble sâ€™apparente Ã  lâ€™Art-dÃ©co, associÃ© au NÃ©o-mauresque pour les portes monumentales de la grande halle encadrÃ©es de volumes en saillie surmontÃ©s de dÃ´mes et soulignÃ©s de panneaux verticaux ornÃ©s dâ€™Ã©toiles chÃ©rifiennes en carreaux de zellijs traditionnels. &#13;
&#13;
En 2008, il a Ã©tÃ© dÃ©cidÃ© de reconvertir ces bÃ¢timents en espace culturel dont la gestion a Ã©tÃ© confiÃ©e Ã  un collectif dâ€™associations. Dans lâ€™attente dâ€™un projet de rÃ©novation, de nombreuses manifestations sâ€™y dÃ©roulentÂ : musique, arts plastiques, cinÃ©ma, thÃ©Ã¢tre, expositions, rencontres dÃ©montrant, par leur frÃ©quentation, la pertinence et la vigueur du mouvement associatif casablancais.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, pp. 116-117</text>
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                <text>MalgrÃ© des modifications telles la suppression des frontons et des frises de pierre sculptÃ©e entourant les deux volumes symÃ©triques et la surÃ©lÃ©vation sur les terrasses reliant les deux maisons, Â«Â lesÂ TourellesÂ Â» restent un des Ã©lÃ©ments qui participent au charme de ce quartier du centre-ville.&#13;
&#13;
Avec talent, Marius Boyer mÃ©lange ici les genresÂ : mÃ©diterranÃ©en pour les tourelles terminÃ©es en miradors, Art-DÃ©co des motifs de pierre sur les facettes des cages dâ€™escalier, nÃ©o marocain pour les rangÃ©es de zellijs et les toits de tuiles vertes.&#13;
&#13;
Ces maisons jumelles ont Ã©tÃ© construites pour deux entrepreneurs associÃ©sÂ : Gouvernet et Lorentz. Actuellement, lâ€™ensemble, transformÃ© en musÃ©e il y a dix ans, est laissÃ© Ã  lâ€™abandon.&#13;
&#13;
Il est un des derniers tÃ©moignages des villas construites par Boyer dans le quartier, aprÃ¨s la disparition de la villa Benazeraf, rue dâ€™Alger, remplacÃ©e par la galerie Actua, et la destruction rÃ©cente, avenue Moulay Hassan Ier, de la villa Houel. &#13;
&#13;
"Les Tourelles" sont inscrites Ã  lâ€™inventaire des monuments historiques.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 35</text>
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Cette extension concerne la nouvelle entrÃ©e et le pavillon des sciences en faÃ§ade sur lâ€™avenue du 2 mars.&#13;
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Un auvent constituÃ© de poutres en bÃ©ton armÃ© signale lâ€™entrÃ©e du lycÃ©e, calÃ©e dans le dÃ©crochement entre les deux blocs des classes de sciences, dont les faÃ§ades, orientÃ©es Ã  lâ€™ouest, sont protÃ©gÃ©es par un quadrillage de brise-soleil en bÃ©ton.&#13;
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Le LycÃ©e Mohammed V a formÃ© une grande partie de l'Ã©lite casablancaise, particuliÃ¨rement politique. En effet, dÃ¨s 1965, il fut un ardent foyer de contestation.</text>
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                <text>En 1914, il est dÃ©cidÃ© de dÃ©placer le marchÃ© municipal situÃ© alors sur lâ€™ancienne place de France (Place des Nations Unies). Le nouvel emplacement est celui quâ€™a occupÃ© pendant deux mois lâ€™Exposition Franco-marocaine de 1915 voulue par le MarÃ©chal Lyautey afin de faire la promotion du potentiel Ã©conomique du pays.&#13;
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Le bÃ¢timent bas et dÃ©pouillÃ© reprend le style traditionnel des marchÃ©s du sud marocain. Sur un quadrilatÃ¨re au front continu, il est ponctuÃ© de boutiques sous les arcades le long du boulevard Mohammed V.&#13;
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A lâ€™intÃ©rieur, le corps central couvert est surmontÃ© dâ€™une ample rotonde qui abrite les marchands de poissons. La rue intÃ©rieure qui le ceinture est bordÃ©e de boutiques. FraÃ®cheur et ventilation sont assurÃ©es par des fontaines en zellijs traditionnels et dâ€™Ã©troites ouvertures fermÃ©es de moucharabieh de ciment.&#13;
&#13;
Huit accÃ¨s permettent de le traverser en tous sens. Lâ€™entrÃ©e principale a Ã©tÃ© soulignÃ©e rÃ©cemment par des encadrements sculptÃ©s et des panneaux de zellijs verts et jaunes.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 77</text>
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Depuis une trentaine dâ€™annÃ©es, ce manque a Ã©tÃ© comblÃ© dans presque tous les quartiers pÃ©riphÃ©riques ainsi que par lâ€™Ã©dification de la Grande MosquÃ©e.&#13;
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Lâ€™originalitÃ© de la mosquÃ©e conÃ§ue par ZÃ©vaco rÃ©side dans le fait que lâ€™architecte nâ€™a fait appel Ã  aucun Ã©lÃ©ment dÃ©coratif traditionnel de lâ€™architecture arabo-andalouse. Le minaret est entiÃ¨rement en bÃ©ton brut de dÃ©coffrage, les toitures  voÃ»tÃ©es â€“interprÃ©tation de celles fameuses de la Karaouiyine- ne sont pas recouvertes de tuiles vernissÃ©es, les ouvertures sont soulignÃ©es par des claustras en briques.&#13;
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Câ€™est probablement une des seules mosquÃ©es dans le pays dâ€™esthÃ©tique exclusivement Â«brutalisteÂ». NÃ©anmoins, des transformations ont fait leur apparition, ces derniÃ¨res annÃ©es, sur lâ€™une des entrÃ©es introduisant  zellijs et tuiles vertes. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 106</text>
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                <text>Cet Ã©tablissement (ex-Petit LycÃ©e) figure parmi les premiÃ¨res rÃ©alisations scolaires de cette envergure Ã  Casablanca. Le bÃ¢timent offre une faÃ§ade continue sur trois cÃ´tÃ©s, encadrant les cours de rÃ©crÃ©ation. Une extension refermera plus tard lâ€™Ã®lot boulevard de Paris.&#13;
&#13;
Sâ€™inscrivant dans le style des bÃ¢timents officiels, dÃ©fini par les services dâ€™urbanisme du protectorat dirigÃ©s par Henri Prost de 1914 Ã  1922, lâ€™architecte utilise un vocabulaire NÃ©o-marocain avec par exemple, les tuiles vertes vernissÃ©es du couronnement et lâ€™emploi de la pierre.&#13;
&#13;
Georges-Jean Grel a dÃ©butÃ© sa carriÃ¨re Ã  El Jadida Ã  la fin des annÃ©es dix et sâ€™associera Ã  partir de 1935 Ã  Georges Renaudin.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 41</text>
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                <text>GREL, Georges-Jean</text>
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                <text>Lâ€™appellation Â«Â poste CamiranÂ Â» dÃ©signe un ensemble comprenant des logements (R+4), des bureaux, des locaux techniques abritant lâ€™alimentation en eau potable dâ€™une grande partie de la ville.&#13;
&#13;
Câ€™est donc un Ã©quipement stratÃ©gique protÃ©gÃ© derriÃ¨re un bÃ¢timent fermÃ©, enrobÃ© par une alternance horizontale de bandes pleines et de pavÃ©s de verre. Au centre du plus long cÃ´tÃ©, un volume inclinÃ© en saillie prÃ©sente des claustras en acier, signÃ©s par Jean ProuvÃ©.&#13;
&#13;
Ce bÃ¢timent est Ã  rapprocher du poste transformateur de Maddalena sur le boulevard F. Roosevelt. Il est incorrectement appelÃ© "Coca-Cola" en raison de lâ€™usine situÃ©e Ã  proximitÃ©, Ã  lâ€™angle de la route des Ouled Ziane, construite en 1950 par Pierre Bousquet et aujourdâ€™hui dÃ©saffectÃ©e.&#13;
&#13;
On ne connaÃ®t pas dâ€™autres bÃ¢timents de Le Normand Ã  Casablanca.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 115</text>
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            <name>Date</name>
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                <text>FLEURANT, Louis-Henri</text>
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                <text>LE NORMAND, A</text>
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                <text>Lâ€™architecte se livre ici Ã  un vÃ©ritable exercice de style Ã  lâ€™Ã©chelle du bÃ¢timent illustrant le vocabulaire des annÃ©es cinquante. La forme lÃ©gÃ¨rement ovoÃ¯de du bÃ¢timent est soulignÃ©e par les angles adoucis du retrait carrelÃ© qui semble soulever le bÃ¢timent au dessus du sol. De petits hublots piquent la surface entiÃ¨re dâ€™une faÃ§ade dense percÃ©e de deux accÃ¨s opposÃ©s, aux embrasures arrondies, et creusÃ©e, sous la toiture dÃ©bordante, dâ€™une mince bande pÃ©riphÃ©rique dâ€™ouvertures vitrÃ©es. Il faut souligner la qualitÃ© de la mise en Å“uvre des volumes, sans angles droits.&#13;
&#13;
La Lydec (gÃ©rant de la distribution de lâ€™eau et lâ€™Ã©lectricitÃ© Ã  Casa) entretient soigneusement ce petit bÃ¢timent ainsi que le square qui lâ€™entoure.&#13;
&#13;
Robert Maddalena est aussi lâ€™auteur, avec Raymond Lucaud, de la Foire Internationale de Casablanca en 1951, boulevard de Tiznit.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 26</text>
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                <text>Cette citÃ© a Ã©tÃ© construite en plusieurs tranches par lâ€™Omnium Technique de lâ€™Habitat (OTH) pour rÃ©pondre Ã  la demande de logements pour des familles europÃ©ennes modestes.&#13;
&#13;
On y reconnaÃ®t lâ€™Ã©criture sobre dâ€™Alexandre Courtois. Les diffÃ©rents programmes (400 logements et 33 villas) qui vont des studios pour cÃ©libataires aux appartements de cinq piÃ¨ces, se dÃ©clinent en immeubles de R+4 Ã  R+1 jusquâ€™aux villas au sud de la parcelle.&#13;
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La qualitÃ© de lâ€™opÃ©ration rÃ©side dans les surfaces gÃ©nÃ©reuses des appartements et des espaces verts entre les immeubles, plantÃ©s de pins et dâ€™eucalyptus, oÃ¹ lâ€™on trouve des Ã©quipements tels que le marchÃ© circulaire, une garderie et les boxes regroupÃ©s des garages. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 31</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Immeubles Sidi-Othmane</text>
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            <description>The topic of the resource</description>
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                <text>citÃ©</text>
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                <text>logement</text>
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            <description>An account of the resource</description>
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                <text>InitiÃ©e par le Service de lâ€™Habitat pour reloger les habitants des bidonvilles de Ben Mâ€™Sick, la citÃ© a Ã©tÃ© inaugurÃ©e en 1954. &#13;
&#13;
Les premiers immeubles sont dâ€™Erwin Hinnen. Les habitations individuelles occupent une trame de 8x 8. Les deux barres et le petit immeuble de Hentsch et Studer renouvellent le concept de logements Ã  patios superposÃ©s, inaugurÃ© par lâ€™Ã©quipe ATBAT-Afrique aux CarriÃ¨res Centrales dans les immeubles Â«Â SÃ©miramisÂ Â» et Â«Â Nid dâ€™abeillesÂ Â». &#13;
&#13;
Moins mÃ©diatisÃ©s que ceux des CarriÃ¨res Centrales, ils ont cependant mieux supportÃ© lâ€™Ã©preuve du temps et des transformations des habitants. Cela tient Ã  la trame des appartements orientÃ©e Ã  45Â° par rapport Ã  lâ€™axe gÃ©nÃ©ral de la barre et Ã  la difficultÃ© en consÃ©quence de fermer les dÃ©crochements des patios de 7.20 par 3m, dont une partie est dÃ©couverte. &#13;
&#13;
Lâ€™ensemble regroupe 200 appartements du 2 au 4 piÃ¨ces.</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 119</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>HENTSCH, Jean</text>
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              <elementText elementTextId="11078">
                <text>STUDER, AndrÃ©</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="11079">
                <text>Maroc, Casablanca</text>
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              <elementText elementTextId="11080">
                <text>1955</text>
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        <name>Immeubles Sidi-Othmane</name>
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                  <text>Edifices</text>
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            <description>A name given to the resource</description>
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                <text>Villa du docteur B.</text>
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                <text>patio</text>
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                <text>pilotis</text>
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                <text>Devenu objet de curiositÃ©, cette villa en forme de galette est devenue un Ã©lÃ©ment de repÃ¨re pour les Casablancais qui lâ€™appellent familiÃ¨rement "camembert". &#13;
&#13;
SituÃ©e au sommet de la colline dâ€™Anfa, elle jouit dâ€™un panorama exceptionnel sur lâ€™ocÃ©an grÃ¢ce Ã  une faÃ§ade circulaire entiÃ¨rement vitrÃ©e protÃ©gÃ©e de stores Ã  lamelles horizontales. &#13;
&#13;
Construite sur de minces pilotis, elle semble flotter au-dessus du jardin. &#13;
&#13;
Lâ€™intÃ©rieur au cloisonnement minimal, sâ€™organise autour dâ€™un patio circulaire. Une vasque Ã©tirÃ©e, posÃ©e devant lâ€™entrÃ©e, confirme les rÃ©fÃ©rences formelles de lâ€™Ã©poqueÂ : lâ€™architecture de Niemeyer au BrÃ©sil et lâ€™iconographie des bandes dessinÃ©es des annÃ©es 60. &#13;
&#13;
Le mur de clÃ´ture, bas, en pierres brutes rappelle ceux de la rÃ©gion des Doukkalas sÃ©parant les champs.&#13;
&#13;
CÃ©dÃ©e rÃ©cemment par ses propriÃ©taires, sa vocation serait heureusement culturelle.&#13;
&#13;
Actif Ã  Casa jusquâ€™en 1975, W.Â Ewerth est essentiellement lâ€™auteur de villas dont celle de Serge Varsano, en 1954, Ã  lâ€™esthÃ©tique californienne. SituÃ©e Ã  Sidi Maarouf, elle est malheureusement invisible depuis la route.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Alluchon, Jacqueline</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="11064">
                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 23</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="11065">
                <text>2011</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="11066">
                <text>EWERTH, Wolfgang</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="11067">
                <text>Maroc, Casablanca</text>
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              <elementText elementTextId="11068">
                <text>1962</text>
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      <tag tagId="2">
        <name>Villa du docteur B.</name>
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