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                <text>Immeuble Bendahan</text>
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                <text>verriÃ¨re</text>
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                <text>steam line (style)</text>
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                <text>AprÃ¨s 1935, date de sa sÃ©paration d'avec Cadet, Brion s'Ã©loigne des styles nÃ©o-marocain et art-dÃ©co caractÃ©risant leurs rÃ©alisations communes. Il s'affirme dans une Ã©criture moderne, lumineuse et dÃ©pouillÃ©e, dont l'immeuble Bendahan est une illustration exemplaire.&#13;
&#13;
Ã‰difiÃ© sur une parcelle trapÃ©zoÃ¯dale, le bÃ¢timent offre, sur un rez-de-chaussÃ©e rÃ©servÃ© aux commerces, quatre niveaux de logements, dont trois comportant des appartements de trois Ã  quatre piÃ¨ces.&#13;
&#13;
La faÃ§ade la plus petite donnant sur la place du 16-novembre, est augmentÃ©e d'un cinquiÃ¨me Ã©tage partiel et d'un sixiÃ¨me en retrait couronnÃ© d'une fine galette aux angles arrondis.&#13;
&#13;
Le seul accÃ¨s aux Ã©tages s'effectue sur la faÃ§ade incurvÃ©e de la rue Bendahan qui sÃ©pare l'immeuble-Ã®lot de l'autre partie du projet. Le hall d'entrÃ©e, surmontÃ© d'une verriÃ¨re, conduit Ã  quatre escaliers implantÃ©s dans les angles.&#13;
&#13;
L'allure profilÃ©e et les angles arrondis de l'ensemble lui insufflent un rÃ©el mouvement, ce qui fait dire Ã  Monique Eleb qu'il s'apparente au style Steam Line qualifiant le souci aÃ©rodynamique des productions industrielles, transports et bÃ¢timents des annÃ©es 30, aux Ã‰tats-Unis. On peut, plus simplement, le ranger dans le style "paquebot".</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 71</text>
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                <text>BRION, Edmond</text>
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                <text>Maroc, Casablanca</text>
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                <text>1935</text>
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                <text>Cet immeuble dont le commanditaire n'est autre que le cÃ©lÃ¨bre Glaoui, Pacha de Marrakech, est l'un des plus spectaculaires du boulevard Mohammed-V.&#13;
&#13;
ConÃ§u dans un art-dÃ©co casablancais particuliÃ¨rement achevÃ©, ce R + 4 donne une impression de monumentalitÃ© due Ã  un traitement de faÃ§ade des plus savants : les deuxiÃ¨me et troisiÃ¨me Ã©tages sont rÃ©unis par une colonnade en marbre soutenant la galerie du quatriÃ¨me, elle-mÃªme protÃ©gÃ©e par un moucharabieh de ciment.&#13;
&#13;
Les deux entrÃ©es de l'immeuble, rue El-Amrani-Brahim, ainsi que celles du passage reliant le boulevard Mohammed-V Ã  la rue Allal-Ben-Abdallah, sont soulignÃ©es par un traitement vertical particulier sur trois travÃ©es, couronnÃ©es par quatre duplexs recouverts de carreaux de zellijs rouges et verts, bÃ©nÃ©ficiant chacun de terrasse-jardins.&#13;
&#13;
Le passage commerÃ§ant traversant l'Ã®lot est ponctuÃ© de trois rotondes vitrÃ©es dispensant un Ã©clairage zÃ©nithal.&#13;
&#13;
Pour la petite histoire, Antoine de Saint-ExupÃ©ry, alors pilote de l'AÃ©ropostale, a sÃ©journÃ©, avec sa femme Consuelo, dans cet immeuble.</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 69</text>
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                <text>BOYER, Marius</text>
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                <text>BALOIS, Jean</text>
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                <text>CitÃ© MarÃ©chal AmÃ©ziane</text>
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                <text>Construite par l'Office chÃ©rifien des logements militaires, cette citÃ© originellement connue sous les noms de MarÃ©chal Foch puis de MarÃ©chal Lyautey, est aujourd'hui la co-propriÃ©tÃ© de diffÃ©rents ministÃ¨res.&#13;
&#13;
Ces cinq bÃ¢timents abritent plus de 200 logements, de deux Ã  cinq piÃ¨ces, caractÃ©risÃ©s par des surfaces gÃ©nÃ©reuses et un certain confort. Deux barres R + 10, en forme de T, et deux barres R + 6, forment trois cours-jardins. Celle ouvrant sur la rue Tarablous, est fermÃ©e par une sÃ©rie de boutiques en R + 1.&#13;
&#13;
Au nord et Ã  l'est, sont concentrÃ©es les piÃ¨ces humides (salles de bains, cuisines, buanderies), derriÃ¨re une faÃ§ade en claustras continus, qui donne son caractÃ¨re original Ã  cet ensemble et s'anime, la nuit, Ã  la lumiÃ¨re Ã©lectrique.&#13;
&#13;
Maurice Galamand Ã©tait installÃ© Ã  Oujda oÃ¹ il construisit entre autres, de 1937 Ã  1950, l'HÃ´tel de ville, le LycÃ©e de jeunes filles et l'HÃ´pital.</text>
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                <text>Alluchon, Jacqueline</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 63</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>GALAMAND, Maurice</text>
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                <text>Maroc, Casablanca</text>
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                <text>1949-1953</text>
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                <text>Cette place (ex-Amiral Philibert) fut crÃ©Ã©e, au dÃ©but des annÃ©es vingt, en dÃ©molissant les entrepÃ´ts qui l'encombraient, dÃ©gageant ainsi la faÃ§ade de l'HÃ´tel Central, construit Ã  la fin du XIXe siÃ¨cle.&#13;
&#13;
Ce bÃ¢timent, rÃ©novÃ©, Ã©voque les constructions modestes des petites villes mÃ©diterranÃ©ennes europÃ©ennes de la mÃªme Ã©poque. Porte-fenÃªtres, balcons et terrasses offrent Ã  ses clients une vue imprenable sur la mer et le port.&#13;
&#13;
A l'angle de la rue de la Douane, se trouve le petit immeuble oÃ¹ Ã©taient installÃ©s les services douaniers. De l'autre cÃ´tÃ© de la place, une auberge de jeunesse a Ã©tÃ© amÃ©nagÃ©e dans les annÃ©es soixante.&#13;
&#13;
SÃ©parÃ©e de la Porte de la Marine par la voie ouverte Ã  la circulation, sur le rempart, une ancienne maison rÃ©cemment convertie en MusÃ©e de la Douane, abrite depuis septembre 2010, le siÃ¨ge du comitÃ© de pilotage du projet de rÃ©habilitation de l'ancienne mÃ©dina.</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 19</text>
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                <text>Cette demeure construite par le Makhzen a Ã©tÃ© cÃ©dÃ©e en 1902 Ã  l'Allemagne pour y installer son nouveau consulat. Par le traitÃ© franco-allemand de 1919, le bÃ¢timent redevient propriÃ©tÃ© du Makhzen et est administrÃ© alors par le Pacha Tazi.&#13;
&#13;
Le deuxiÃ¨me Ã©tage, probablement surÃ©levÃ© dans les annÃ©es trente, est ornÃ© d'un panneau sculptÃ© mÃ©langeant art-dÃ©co et arabesques nÃ©o-mauresques.&#13;
&#13;
Ã€ l'intÃ©rieur, le dÃ©cor de plÃ¢tres ciselÃ©s, d'azulejos et de bois travaillÃ©, apparente cette construction aux maisons bourgeoises citadines marocaines du XIXe siÃ¨cle.&#13;
&#13;
Le bÃ¢timent abrite aujourd'hui une Ã©cole primaire. Au dÃ©but du XXe siÃ¨cle, les quinze consulats de la mÃ©dina tÃ©moignent de la diversitÃ© de l'immigration europÃ©enne.</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 18</text>
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                <text>Cette synagogue a Ã©tÃ© reconstruite aprÃ¨s le bombardement des AlliÃ©s de novembre 1942.&#13;
&#13;
Bien que toutes deux en dehors du Mellah, la synagogue ettedgui et celle des Souiriyine (77, rue de Rabat), ont Ã©tÃ© les plus importantes de l'ancienne mÃ©dina. La communautÃ© israÃ©lite frÃ©quente toujours la maison de Rabbi HaÃ¯m Pinto, rue Mohamed-el-Hansali, et sa tombe dans le cimetiÃ¨re juif, situÃ© hors les murs, Ã  l'ouest, proche de Bab Marrakech.&#13;
&#13;
La restauration de la synagogue Ettedgui est inscrite dans le projet de rÃ©habilitation de l'ancienne mÃ©dina.</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 17</text>
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                <text>Cette importante mosquÃ©e a Ã©tÃ© construite au XIXe siÃ¨cle, face au port. Seule une de ses portes date de la fin du XVIIIe siÃ¨cle. Ses toits Ã  deux pentes, rÃ©cemment recouverts de tuiles vertes font rÃ©fÃ©rence aux nefs de la Qaraouiyine Ã  FÃ¨s. &#13;
&#13;
Plus modestes, la mosquÃ©e JamaÃ¢ Souk, au minaret ornÃ© de zellijs verts, situÃ©e au sud, proche de la nouvelle Tour de l'Horloge, et la mosquÃ©e JamaÃ¢ Chleuh, accessible par la rue de SalÃ©, Ã  partir de Bab Marrakech, datent de la mÃªme Ã©poque.</text>
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                <text>Guide architectural de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 16</text>
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Ã€ Casablanca, il restaure les murailles et construit plusieurs bastions dont seul subsiste celui de la Sqala. En le traversant, les habitants de la mÃ©dina ont accÃ¨s au port, passage moins frÃ©quentÃ© depuis l'amÃ©nagement d'un restaurant sur son site.</text>
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                <text>DÃ¨s 1916, Henri Prost et son Ã©quipe envisage la crÃ©ation d'une "Nouvelle ville indigÃ¨ne", destinÃ©e Ã  rÃ©sorber les habitations insalubres oÃ¹ s'entassent les immigrants venus de l'intÃ©rieur du pays. Elle sera implantÃ©e entre la route de MÃ©diouna (aujourd'hui avenue Mohammed-VI), axe principal reliant le sud du Maroc Ã  Casablanca, et la voie ferrÃ©e Rabat-Marrakech. Sur la partie proche du centre-ville, le palais du Sultan sera Ã©difiÃ© en 1917 par les frÃ¨res Louis-Paul et FÃ©lix-Joseph Pertuzzio, son jardin andalou sera dessinÃ© par Jean-Claude Nicolas Forestier.&#13;
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Deux trÃ¨s belles mosquÃ©es dominent le quartier de leurs minarets de style almohade : la mosquÃ©e Moulay Youssef inaugurÃ©e en 1923 et la mosquÃ©e Sidi Mohamed en 1936. Au dÃ©but des annÃ©es 50, l'ensemble est achevÃ© avec la rue impÃ©riale bordÃ©e d'un cÃ´tÃ© de portiques abritant les librairies, de l'autre par l'imposant tribunal du Pacha, ou Mahkma.&#13;
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La rÃ©ussite de cette expÃ©rience d'urbanisme, unique en son genre, est largement confirmÃ©e aujourd'hui par l'animation permanente qui y rÃ¨gne et la frÃ©quentation touristique. Certains, mÃªme casablancais, croient y voir une authentique ville ancienne.</text>
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Admis Ã  l'Ã‰cole des beaux-arts de Paris en 1937, Ã  l'atelier PontrÃ©moli-Leconte, il obtient son diplÃ´me d'architecte DPLG en 1945 et passe la guerre Ã  Marseille, ou il frÃ©quente l'atelier Beaudouin.&#13;
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                <text>Fiche descriptive du Fonds ZÃ©vaco, CitÃ© de l'architecture et du patrimoine. Archives d'architecture du XXe siÃ¨cle :&#13;
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              <text>Shadrach Woods est nÃ© en 1923. AprÃ¨s de brÃ¨ves Ã©tudes d'ingÃ©nieur Ã  l'universitÃ© de New York interrompues par la guerre et une formation de philosophie au Trinity College de Dublin, Shadrach Woods intÃ¨gre l'agence de Le Corbusier en 1948. Il y rencontre l'architecte d'origine grecque Georges Candilis. Les deux hommes sont chargÃ©s, au sein de l'ATBAT (Atelier des BÃ¢tisseurs) fondÃ© par Le Corbusier et l'ingÃ©nieur Vladimir Bodiansky du chantier de l'unitÃ© d'habitation alors en construction Ã  Marseille.&#13;
&#13;
Avec la crÃ©ation de ATBAT-Afrique au Maroc, Shadrach Woods et Georges Candilis accompagnÃ©s de Vladimir Bodiansky s'emploient Ã  Ã©tudier des formes d'habitat alternatives pour la population autochtone, forts commentÃ©es lors du cÃ©lÃ¨bre CIAM d'Aix-en-Provence.&#13;
&#13;
&#13;
Source : Shadrach Woods, http://fr.wikipedia.org/w/index.php?title=Shadrach_Woods&amp;oldid=56221120 (Page consultÃ©e le juin 27, 2011).</text>
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                <text>Page Shadrach Woods de WikipÃ©dia :&#13;
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                <text>Maroc, Casablanca</text>
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              <text>Paul Tournon est nÃ© Ã  Marseille le 19 fÃ©vrier 1881, et mort Ã  Paris le 22 dÃ©cembre 1964.&#13;
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Il frÃ©quente l'atelier de Louis Scellier de Gisors Ã  l'Ecole des Beaux-arts de Paris, obtient son diplÃ´me d'architecte en 1912. Il crÃ©e son agence en 1914 et dirige la reconstruction la ville de CompiÃ¨gne.&#13;
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              <text>- Notice Archiwebture du fonds Paul Tournon : http://archiwebture.citechaillot.fr/awt/fonds.html?base=fa&amp;id=FRAPN02_TOURN_fonds-882&#13;
- Casablanca : mythes et figures d'une aventure urbaine, Jean-Louis Cohen, Monique Eleb, Paris, Hazan, 1998, p. 469</text>
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                <text>Fiche descriptive du Fonds Tournon Ã  la CitÃ© de l'architecture et du patrimoine :&#13;
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