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                <text>ImplantÃ© sur un Ã®lot bordÃ© de trois rues, lâ€™immeuble comporte un rez-de-chaussÃ©e, trois niveaux de logements, surmontÃ© dâ€™un quatriÃ¨me ponctuant les deux angles (rue abdou sofiane/Square GentilÂ ; Square Gentil/Avenue Moulay Hassan I) . &#13;
&#13;
Les quatre motifs dÃ©coratifs dÃ©veloppÃ©s figurent parmi les plus spectaculaires du rÃ©pertoire casablancais. Ils introduisent la couleur inattendue, orangÃ©e, des zellijs traditionnels utilisÃ©s ici Ã  la place des cÃ©ramiques et grÃ©s que lâ€™on trouve, en Europe sur les faÃ§ades Art-nouveau et Art-dÃ©co. Le motif reprÃ©sentÃ© est une fontaine stylisÃ©e, rÃ©current Ã  lâ€™Ã©poque.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 43</text>
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                <text>SURAQUI, Elias</text>
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                <text>Voici lâ€™un des nombreux immeubles construits Ã  lâ€™angle de deux rues dont la faÃ§ade principale Ã©pouse le pan coupÃ© lui permettant ici de bÃ©nÃ©ficier dâ€™une orientation sud-ouest. &#13;
&#13;
Le rez-de-chaussÃ©e est occupÃ© par des commerces, au-dessus desquels une fine galette sert de sÃ©paration visuelle avec les six niveaux dâ€™habitation. &#13;
&#13;
Dâ€™un style Art DÃ©co Ã©purÃ©, lâ€™ensemble est soulignÃ© par le couronnement du 5Ã¨me Ã©tage, rythmÃ© dâ€™auvents minces. &#13;
&#13;
Le hall dâ€™entrÃ©e Ã  partir de la rue Abderhamane Sahraoui mÃ©rite une visiteÂ : on peut en effet y voir une illustration dâ€™un "art global", autrement dit un amÃ©nagement intÃ©rieur associant bronzes et fer forgÃ© de la porte, lambris de marbre, miroirs, sol en granito poli, technique apportÃ©e par le savoir-faire des maÃ§ons italiens venus en nombre dans les annÃ©es 1910. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 46</text>
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                <text>Dans les annÃ©es 30 Ã  Casablanca, le nombre de cÃ©libataires, parmi les immigrants, est si important quâ€™il induit une rÃ©flexion sur le logement de petite surface. Cette demande spÃ©cifique est renouvelÃ©e aprÃ¨s la deuxiÃ¨me guerre mondiale et le nouveau "boom" Ã©conomique des annÃ©es 50. &#13;
&#13;
Ainsi cet immeuble qui propose des petits appartements en duplex, distribuÃ©s par une coursive un Ã©tage sur deux. Le sÃ©jour Ã  double hauteur sâ€™ouvre sur une loggia protÃ©gÃ©e au sud-est. &#13;
&#13;
Un escalier suspendu et transparent mÃ¨ne aux deux chambres Ã  lâ€™Ã©tage. Lâ€™amÃ©nagement intÃ©rieur reflÃ¨te lâ€™esthÃ©tique des annÃ©es 50Â : sols en opus incertum, sÃ©parations mitoyennes percÃ©es de hublots, etc. &#13;
&#13;
Le jeu des garde-corps filant sur la faÃ§ade bombÃ©e souligne lâ€™organisation sur deux niveaux. &#13;
&#13;
Le dernier Ã©tage est rÃ©servÃ© Ã  lâ€™appartement du propriÃ©taire. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 113</text>
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                <text>JAUBERT, Gaston</text>
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                <text>Courtois, avec cet immeuble de 15 Ã©tages, met en Å“uvre un des principes quâ€™il Ã©tudie dans le projet dâ€™amÃ©nagement et dâ€™extension  de la ville, dont il est chargÃ© en 1943. En effet, il est attachÃ© Ã  la modernisation des voies et des places quâ€™il envisage structurÃ©es par des immeubles de grande hauteur. &#13;
&#13;
En construisant la BMCI, il rejoint lâ€™Ã©chelle de lâ€™immeuble Moretti-Milone longtemps seule verticale sur lâ€™ex-place de France auprÃ¨s des magasins Paris-Maroc, du cinÃ©ma Vox (1935), dÃ©molis fin des annÃ©es 70, et de lâ€™hÃ´tel Excelsior. &#13;
&#13;
DÃ¨s ce premier projet, Courtois utilise un style sobre et sans concessions que lâ€™on retrouve dans toutes ses Å“uvres. &#13;
&#13;
RÃ©cemment,  quelques travaux ont modifiÃ© sa silhouetteÂ : adjonction dâ€™une cage mÃ©tallique occultant le dessin en gradins des cinq derniers niveaux, et remplacement de la pierre blonde couvrant les trois premiers Ã©tages par un marbre vert foncÃ©. &#13;
&#13;
Ier grand prix de Rome en 1933, Courtois exerce au Maroc jusquâ€™Ã  la fin des annÃ©es 50. Il est lâ€™auteur de la gare de Casa-port (1950) rasÃ©e en 2008.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 68</text>
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                <text>COURTOIS, Alexandre</text>
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                <text>Maroc, Casablanca</text>
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                <text>Non loin de lâ€™immeuble Brami, Gaston Jaubert reprend le principe du duplex dans un immeuble, plus exposÃ© sur le boulevard. &#13;
&#13;
EntiÃ¨rement visible derriÃ¨re un vitrage rythmÃ© par ses paliers, lâ€™escalier, placÃ© latÃ©ralement par rapport Ã  la faÃ§ade, dessert une quarantaine dâ€™appartements de 3 piÃ¨ces en duplex. &#13;
&#13;
Le soubassement de lâ€™immeuble abrite des commerces et Ã©pouse la forme du carrefour. Ici encore on note le graphisme subtil de la faÃ§ade creusÃ©e par les loggias Ã  double hauteur, mettant en valeur le jeu de lâ€™ombre et la lumiÃ¨re. &#13;
&#13;
Gaston Jaubert quitte le Maroc en 1960, la majoritÃ© de son Å“uvre est constituÃ©e dâ€™Ã©quipements et de logements sociaux, souvent en association avec Marcel Desmet et ATBAT AFRIQUE comme bureau dâ€™Ã©tudes.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 114</text>
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                <text>JAUBERT, Gaston</text>
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            <name>Coverage</name>
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                <text>Maroc, Casablanca</text>
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                <text>Dans les annÃ©es 20, la refonte des quartiers du port en quartier des affaires est envisagÃ©e. Eirik Labonne, secrÃ©taire gÃ©nÃ©ral de la rÃ©sidence, encourage architectes et urbanistes Ã  y Ã©difier des immeubles de grande hauteur. &#13;
&#13;
Ainsi, Boyer, qui imagine des tours-portiques, rÃ©alise cet ensemble en deux parties de huit et quatre Ã©tages, sÃ©parÃ©es par une rue intÃ©rieure couvrant le garage en sous-sol. &#13;
&#13;
Sur lâ€™avenue Hassan SÃ©ghir, trois blocs reliÃ©s jusquâ€™au 7e se dÃ©clinent en gradins, crÃ©ant de larges terrasses devant des studios. Ils sont couronnÃ©s par trois duplexs. &#13;
&#13;
A partir de trois escaliers, environ 90 appartements sâ€™organisent autour des paliers circulaires, disposition leur permettant de bÃ©nÃ©ficier de trois orientations et dâ€™Ãªtre isolÃ©s par les parties communes insÃ©rÃ©es entre eux (escaliers de service, ascenseurs, vide-ordures). &#13;
&#13;
Elles sont directement ventilÃ©es et Ã©clairÃ©es par des verriÃ¨res Ã  lamelles qui soulignent la verticalitÃ© des trois tours. &#13;
&#13;
Au 8e, les cages dâ€™escaliers communiquent Ã  travers les locaux des buanderies communes ouvrant sur des terrasses dâ€™Ã©tendage.&#13;
&#13;
L'Ã©lÃ©gant ensemble Ã©voque irrÃ©sistiblement certaines rÃ©alisations parisiennes d'Henri Sauvage, Ã  caractÃ¨re constructiviste.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 97</text>
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                <text>BOYER, Marius</text>
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                <text>Lâ€™immeuble de rapport construit par la Nationale bÃ©nÃ©ficie dâ€™un emplacement exceptionnel, face Ã  la place Mohammed V et au parc de la Ligue Arabe. &#13;
&#13;
Les trente appartements sont dotÃ©s des Ã©quipements de confort moderne et de surfaces gÃ©nÃ©reuses, augmentÃ©es de loggias profondes, encadrÃ©es de colonnes de pierre brune (un bon nombre ont Ã©tÃ© depuis vitrÃ©es). &#13;
&#13;
Pour cet ensemble de style fonctionnaliste, on retrouve cependant le style Art dÃ©co dans le dessin des fers forgÃ©s des balcons et des portes dâ€™entrÃ©e ornÃ©es de cabochons de laiton. &#13;
&#13;
Lâ€™envergure du bÃ¢timent sâ€™associe Ã  lâ€™Ã©chelle monumentale de la place Mohammed V, Ã  lâ€™entrÃ©e de lâ€™avenue Hassan II. Lâ€™angle arrondi surmontÃ© dâ€™une rotonde face Ã  la Wilaya, renforce le dynamisme dâ€™une architecture de style "paquebot".</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 56</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011</text>
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                <text>RENDU, Xavier</text>
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                <text>PONSARD, Pierre</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Maroc, Casablanca</text>
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        <name>Immeuble La Nationale</name>
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                <text>Exemple impressionnant des grandes opÃ©rations de logements, des annÃ©es 20 et 30 en centre-ville, cet immeuble de rapport comporte une soixantaine dâ€™appartements. &#13;
&#13;
Il occupe un Ã®lot imposant et domine, de sa faÃ§ade principale incurvÃ©e, le rond point dans lâ€™axe du boulevard moulay youssef. &#13;
&#13;
Le dÃ©cor des quatre faÃ§ades conjugue les Ã©lÃ©ments Art DÃ©co et lâ€™art traditionnel des zellijs qui encadrent les fenÃªtres, et recouvrent les deux coupoles dâ€™angle. Face au parc, une Ã©lÃ©gante galerie Ã  arcades souligne le dernier Ã©tage. &#13;
&#13;
Le luxe discret de cet ensemble rÃ©side aussi dans le confort innovant des servicesÂ : terrasses, buanderies, escaliers de service, boxes de parking dans les cours. &#13;
&#13;
Dans le hall de cet immeuble bien entretenu, on peut apprÃ©cier la richesse du dÃ©cor interieurÂ : les fers forgÃ©s de lâ€™escalier, sols en granito, marbres et zellijs. &#13;
&#13;
Albert Greslin a Ã©tÃ© le collaborateur de Georges Ernest Desmaret pour les Abattoirs en 1922. Il est aussi lâ€™auteur de lâ€™Institution Charles de Foucauld en 1935 avec Georges Gillet, ingÃ©nieur-entrepreneur. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Alluchon, Jacqueline</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6975">
                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 61</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>GRESLIN, Albert</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>FR</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Maroc, Casablanca</text>
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                <text>1928</text>
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        <name>Immeuble IMCAMA</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Edifices</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>HÃ´tel particulier, rue d'Alger</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>hÃ´tel particulier</text>
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                <text>art nouveau (style)</text>
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                <text>nÃ©o-mauresque (style)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Dans lâ€™un des premiers quartiers rÃ©sidentiels, proches du centre-ville, se construisent des hÃ´tels particuliers plus ambitieux que ceux de la rue du Parc. &#13;
&#13;
Celui-ci illustre un style propre Ã  Casablanca dans les annÃ©es 20 et 30, mettant en Å“uvre des rÃ©fÃ©rences aussi bien Art nouveau, Art dÃ©co que NÃ©o-mauresque. Pour Marius Boyer câ€™est le prÃ©texte Ã  un exercice de style sophistiquÃ©. &#13;
&#13;
A mi chemin entre les options des villas "Les Tourelles", Ã  dominante Art dÃ©co, et la villa Benazeraf (dÃ©molie dans les annÃ©es 90), de style plus fonctionnaliste, lâ€™architecte mise sur la dentelle dÃ©licate du fer forgÃ© et la subtilitÃ© du plÃ¢tre sculptÃ© traditionnel. &#13;
&#13;
La rue dâ€™Alger, du boulevard Moulay Youssef Ã  la place Oued El Makhazine, abrite une collection exceptionnelle de bÃ¢timents construits entre les annÃ©es 20 et 40. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Alluchon, Jacqueline</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6988">
                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 36</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2011</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="6990">
                <text>BOYER, Marius</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>FR</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Maroc, Casablanca</text>
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              <elementText elementTextId="6993">
                <text>1930</text>
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        <name>HÃ´tel particulier rue d'Alger</name>
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                <text>nÃ©o-mauresque (style)</text>
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                <text>Delaporte est lâ€™auteur des premiers Ã©difices Ã©levÃ©s en dehors de lâ€™ancienne mÃ©dina, lâ€™hÃ´tel Excelsior et les Magasins Paris-Maroc, construits en bÃ©ton armÃ©, le premier avec lâ€™entreprise Coignet, les seconds avec les frÃ¨res Perret et aujourdâ€™hui dÃ©molis. &#13;
&#13;
Ces bÃ¢timents amorcent ainsi le dessin de la place, Ã  la charniÃ¨re de lâ€™ancienne mÃ©dina, du port et de la ville future. &#13;
&#13;
TrÃ¨s vite,  lâ€™hÃ´tel Excelsior va devenir avec sa brasserie le rendez-vous de tous les nouveaux entrepreneurs que dÃ©crit si bien Claude FarrÃ¨re dans son roman "Les Hommes nouveaux".&#13;
&#13;
Le vocabulaire dÃ©coratif de la faÃ§ade rappelle les constructions dâ€™AlgÃ©rie ou de Tunisie, de style nÃ©o-mauresqueÂ :  arcs en plein cintre, tuiles vertes et carreaux de faÃ¯ence (Azulejos). &#13;
&#13;
A lâ€™angle de la rue Brahim Amraoui, le hall dâ€™entrÃ©e est encore dans son Ã©tat dâ€™origine malgrÃ© le vernis bon marchÃ© des comptoirs dâ€™accueil. &#13;
&#13;
Les chambres, dont les sols sont en carreaux de ciment, ont Ã©tÃ© souvent rassemblÃ©es en appartements pour les nouveaux venus qui attendaient parfois plusieurs annÃ©es avant de trouver un logement.  </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Alluchon, Jacqueline</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 67</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>DELAPORTE, Hippolyte Joseph</text>
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            <description>A language of the resource</description>
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            <name>Coverage</name>
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                <text>La villa dâ€™Emmanuel Chaine, rejoint lâ€™alignement de la rue Curie sur le mitoyen de la Villa Cohen. &#13;
&#13;
Plus imposante puisquâ€™elle se dÃ©veloppe sur trois niveaux, elle se caractÃ©rise par son soubassement dont la hauteur permet dâ€™abriter des services et dâ€™amÃ©nager un passage aux voitures vers le garage situÃ© dans lâ€™arriÃ¨re-cour. &#13;
&#13;
On y retrouve la style Art-dÃ©co dans les vitraux ouvrant les bow-windows du rez-de-chaussÃ©e et la porte dâ€™entrÃ©e, ainsi que dans les claustras soulignant les garde-corps des terrasses et les frises du couronnement. &#13;
&#13;
Cette villa a fait lâ€™objet de plusieurs demandes de dÃ©molition de la part de son propriÃ©taire, jusquâ€™ici refusÃ©es. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 38</text>
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                <text>Maroc, Casablanca</text>
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                <text>La villa Cohen construite sur la largeur de la parcelle doit son originalitÃ© au panneau de zellijs du 1er Ã©tage, encadrant lâ€™une des baies. &#13;
&#13;
Au-dessus du porche dâ€™entrÃ©e, les couleurs inhabituelles et le calepinage particulier dessinent un motif gÃ©omÃ©trique caractÃ©ristique de lâ€™art dÃ©co. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 38</text>
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            <name>Coverage</name>
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        <name>Villa Cohen</name>
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