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                <text>Grand escalier monumental qui donne accÃ¨s Ã  la salle de rÃ©union du premier Ã©tage de la Banque al Maghrib (Banque du Maroc)</text>
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                <text>Cette villa, implantÃ©e dans lâ€™axe dâ€™une parcelle triangulaire, Ã  la limite du quartier rÃ©sidentiel dâ€™Anfa, dominant la ville, est rapidement surnommÃ©e Â«Â la pagodeÂ Â» et Â«Â villa papillonÂ Â». &#13;
&#13;
ConÃ§ue Ã  partir dâ€™un bloc rectangulaire de pierres brunes, elle est enveloppÃ©e Ã  lâ€™Ã©tage par un spectaculaire balcon aux lignes incurvÃ©es dont les porte-Ã -faux atteignent sept mÃ¨tres dâ€™envergure aux angles. &#13;
&#13;
La qualitÃ© de serrureries, chÃ¢ssis guillotine des salons, porte-fenÃªtre monumentale et grilles, est due aux Ateliers Vincent Timsit. Le hall, au sol de marbre noir de Belgique, dessert les piÃ¨ces de rÃ©ception par des cloisons coulissantes de verre trempÃ©. En son centre, comme une sculpture, la premiÃ¨re volÃ©e de lâ€™escalier menant Ã  lâ€™Ã©tage est encadrÃ©e de garde-corps de verre maintenus par des piÃ¨ces de bronze. &#13;
&#13;
La reconversion de la villa en un Ã©lÃ©gant restaurant-salon de thÃ© (PÃ¢tisserie Paul) a entraÃ®nÃ© lâ€™adjonction de deux espaces vitrÃ©s sous les balcons, et le nivellement du jardin initialement inclinÃ© en pente douce vers une piscine en demi-cercle.&#13;
&#13;
Photo Jean-Louis Cohen</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 28</text>
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                <text>Moins connue que la villa Suissa, elle est pourtant tout aussi spectaculaire. Elle sâ€™organise Ã  partir dâ€™une sÃ©rie de volumes libres imbriquÃ©s les uns dans les autres. Les murs tantÃ´t aveugles, tantÃ´t constituÃ©s de carreaux de verre cathÃ©drale insÃ©rÃ©s dans une maille de bÃ©ton, ne laisse rien deviner des niveaux, des espaces intÃ©rieurs ni de leur vocation. &#13;
&#13;
Sur la faÃ§ade est, les portes fenÃªtres sont les seules ouvertures. La courbe du living-room Ã  rez-de-chaussÃ©e, soulignÃ©e par un bandeau lisse, rÃ©pond aux formes libres de la couverture partielle de la terrasse accessible, introduisant une rupture dans la composition cubiste de lâ€™ensemble. &#13;
&#13;
Les propriÃ©taires y ont installÃ© des bureaux, longtemps occupÃ©s par le MinistÃ¨re de lâ€™IntÃ©rieur. La petite histoire raconte que les Ã©poux Rosilio nâ€™auraient jamais habitÃ© leur maison et quâ€™elle serait mÃªme la cause de leur divorceâ€¦</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 33</text>
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                <text>ZEVACO, Jean-FranÃ§ois</text>
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                <text>MESSINA, Paolo</text>
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                <text>Maroc, Casablanca</text>
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                <text>1951</text>
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                <text>Devenu objet de curiositÃ©, cette villa en forme de galette est devenue un Ã©lÃ©ment de repÃ¨re pour les Casablancais qui lâ€™appellent familiÃ¨rement "camembert". &#13;
&#13;
SituÃ©e au sommet de la colline dâ€™Anfa, elle jouit dâ€™un panorama exceptionnel sur lâ€™ocÃ©an grÃ¢ce Ã  une faÃ§ade circulaire entiÃ¨rement vitrÃ©e protÃ©gÃ©e de stores Ã  lamelles horizontales. &#13;
&#13;
Construite sur de minces pilotis, elle semble flotter au-dessus du jardin. &#13;
&#13;
Lâ€™intÃ©rieur au cloisonnement minimal, sâ€™organise autour dâ€™un patio circulaire. Une vasque Ã©tirÃ©e, posÃ©e devant lâ€™entrÃ©e, confirme les rÃ©fÃ©rences formelles de lâ€™Ã©poqueÂ : lâ€™architecture de Niemeyer au BrÃ©sil et lâ€™iconographie des bandes dessinÃ©es des annÃ©es 60. &#13;
&#13;
Le mur de clÃ´ture, bas, en pierres brutes rappelle ceux de la rÃ©gion des Doukkalas sÃ©parant les champs.&#13;
&#13;
CÃ©dÃ©e rÃ©cemment par ses propriÃ©taires, sa vocation serait heureusement culturelle.&#13;
&#13;
Actif Ã  Casa jusquâ€™en 1975, W.Â Ewerth est essentiellement lâ€™auteur de villas dont celle de Serge Varsano, en 1954, Ã  lâ€™esthÃ©tique californienne. SituÃ©e Ã  Sidi Maarouf, elle est malheureusement invisible depuis la route.</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 23</text>
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              <elementText elementTextId="11066">
                <text>EWERTH, Wolfgang</text>
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                <text>Maroc, Casablanca</text>
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                <text>InitiÃ©e par le Service de lâ€™Habitat pour reloger les habitants des bidonvilles de Ben Mâ€™Sick, la citÃ© a Ã©tÃ© inaugurÃ©e en 1954. &#13;
&#13;
Les premiers immeubles sont dâ€™Erwin Hinnen. Les habitations individuelles occupent une trame de 8x 8. Les deux barres et le petit immeuble de Hentsch et Studer renouvellent le concept de logements Ã  patios superposÃ©s, inaugurÃ© par lâ€™Ã©quipe ATBAT-Afrique aux CarriÃ¨res Centrales dans les immeubles Â«Â SÃ©miramisÂ Â» et Â«Â Nid dâ€™abeillesÂ Â». &#13;
&#13;
Moins mÃ©diatisÃ©s que ceux des CarriÃ¨res Centrales, ils ont cependant mieux supportÃ© lâ€™Ã©preuve du temps et des transformations des habitants. Cela tient Ã  la trame des appartements orientÃ©e Ã  45Â° par rapport Ã  lâ€™axe gÃ©nÃ©ral de la barre et Ã  la difficultÃ© en consÃ©quence de fermer les dÃ©crochements des patios de 7.20 par 3m, dont une partie est dÃ©couverte. &#13;
&#13;
Lâ€™ensemble regroupe 200 appartements du 2 au 4 piÃ¨ces.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 119</text>
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                <text>HENTSCH, Jean</text>
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                <text>STUDER, AndrÃ©</text>
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                <text>CitÃ© Riviera-Beaulieu</text>
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                <text>Cette citÃ© a Ã©tÃ© construite en plusieurs tranches par lâ€™Omnium Technique de lâ€™Habitat (OTH) pour rÃ©pondre Ã  la demande de logements pour des familles europÃ©ennes modestes.&#13;
&#13;
On y reconnaÃ®t lâ€™Ã©criture sobre dâ€™Alexandre Courtois. Les diffÃ©rents programmes (400 logements et 33 villas) qui vont des studios pour cÃ©libataires aux appartements de cinq piÃ¨ces, se dÃ©clinent en immeubles de R+4 Ã  R+1 jusquâ€™aux villas au sud de la parcelle.&#13;
&#13;
La qualitÃ© de lâ€™opÃ©ration rÃ©side dans les surfaces gÃ©nÃ©reuses des appartements et des espaces verts entre les immeubles, plantÃ©s de pins et dâ€™eucalyptus, oÃ¹ lâ€™on trouve des Ã©quipements tels que le marchÃ© circulaire, une garderie et les boxes regroupÃ©s des garages. </text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 31</text>
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                <text>Lâ€™architecte se livre ici Ã  un vÃ©ritable exercice de style Ã  lâ€™Ã©chelle du bÃ¢timent illustrant le vocabulaire des annÃ©es cinquante. La forme lÃ©gÃ¨rement ovoÃ¯de du bÃ¢timent est soulignÃ©e par les angles adoucis du retrait carrelÃ© qui semble soulever le bÃ¢timent au dessus du sol. De petits hublots piquent la surface entiÃ¨re dâ€™une faÃ§ade dense percÃ©e de deux accÃ¨s opposÃ©s, aux embrasures arrondies, et creusÃ©e, sous la toiture dÃ©bordante, dâ€™une mince bande pÃ©riphÃ©rique dâ€™ouvertures vitrÃ©es. Il faut souligner la qualitÃ© de la mise en Å“uvre des volumes, sans angles droits.&#13;
&#13;
La Lydec (gÃ©rant de la distribution de lâ€™eau et lâ€™Ã©lectricitÃ© Ã  Casa) entretient soigneusement ce petit bÃ¢timent ainsi que le square qui lâ€™entoure.&#13;
&#13;
Robert Maddalena est aussi lâ€™auteur, avec Raymond Lucaud, de la Foire Internationale de Casablanca en 1951, boulevard de Tiznit.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 26</text>
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                <text>Lâ€™appellation Â«Â poste CamiranÂ Â» dÃ©signe un ensemble comprenant des logements (R+4), des bureaux, des locaux techniques abritant lâ€™alimentation en eau potable dâ€™une grande partie de la ville.&#13;
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Câ€™est donc un Ã©quipement stratÃ©gique protÃ©gÃ© derriÃ¨re un bÃ¢timent fermÃ©, enrobÃ© par une alternance horizontale de bandes pleines et de pavÃ©s de verre. Au centre du plus long cÃ´tÃ©, un volume inclinÃ© en saillie prÃ©sente des claustras en acier, signÃ©s par Jean ProuvÃ©.&#13;
&#13;
Ce bÃ¢timent est Ã  rapprocher du poste transformateur de Maddalena sur le boulevard F. Roosevelt. Il est incorrectement appelÃ© "Coca-Cola" en raison de lâ€™usine situÃ©e Ã  proximitÃ©, Ã  lâ€™angle de la route des Ouled Ziane, construite en 1950 par Pierre Bousquet et aujourdâ€™hui dÃ©saffectÃ©e.&#13;
&#13;
On ne connaÃ®t pas dâ€™autres bÃ¢timents de Le Normand Ã  Casablanca.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 115</text>
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                <text>FLEURANT, Louis-Henri</text>
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                <text>Cet Ã©tablissement (ex-Petit LycÃ©e) figure parmi les premiÃ¨res rÃ©alisations scolaires de cette envergure Ã  Casablanca. Le bÃ¢timent offre une faÃ§ade continue sur trois cÃ´tÃ©s, encadrant les cours de rÃ©crÃ©ation. Une extension refermera plus tard lâ€™Ã®lot boulevard de Paris.&#13;
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Sâ€™inscrivant dans le style des bÃ¢timents officiels, dÃ©fini par les services dâ€™urbanisme du protectorat dirigÃ©s par Henri Prost de 1914 Ã  1922, lâ€™architecte utilise un vocabulaire NÃ©o-marocain avec par exemple, les tuiles vertes vernissÃ©es du couronnement et lâ€™emploi de la pierre.&#13;
&#13;
Georges-Jean Grel a dÃ©butÃ© sa carriÃ¨re Ã  El Jadida Ã  la fin des annÃ©es dix et sâ€™associera Ã  partir de 1935 Ã  Georges Renaudin.</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 41</text>
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                <text>Au moment oÃ¹ Jean-FranÃ§ois ZÃ©vaco construit cette mosquÃ©e, Casablanca est encore dÃ©ficitaire en Ã©difices religieux musulmans, puisquâ€™elle ne compte de mosquÃ©es dâ€™importance dans la nouvelle ville que celles de Cadet et Brion aux  Habous et celle de la citÃ© dâ€™AÃ¯n Chock dâ€™Edmond Brion.&#13;
&#13;
Depuis une trentaine dâ€™annÃ©es, ce manque a Ã©tÃ© comblÃ© dans presque tous les quartiers pÃ©riphÃ©riques ainsi que par lâ€™Ã©dification de la Grande MosquÃ©e.&#13;
&#13;
Lâ€™originalitÃ© de la mosquÃ©e conÃ§ue par ZÃ©vaco rÃ©side dans le fait que lâ€™architecte nâ€™a fait appel Ã  aucun Ã©lÃ©ment dÃ©coratif traditionnel de lâ€™architecture arabo-andalouse. Le minaret est entiÃ¨rement en bÃ©ton brut de dÃ©coffrage, les toitures  voÃ»tÃ©es â€“interprÃ©tation de celles fameuses de la Karaouiyine- ne sont pas recouvertes de tuiles vernissÃ©es, les ouvertures sont soulignÃ©es par des claustras en briques.&#13;
&#13;
Câ€™est probablement une des seules mosquÃ©es dans le pays dâ€™esthÃ©tique exclusivement Â«brutalisteÂ». NÃ©anmoins, des transformations ont fait leur apparition, ces derniÃ¨res annÃ©es, sur lâ€™une des entrÃ©es introduisant  zellijs et tuiles vertes. </text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 106</text>
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                <text>ZEVACO, Jean-FranÃ§ois</text>
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                <text>Maroc, Casablanca</text>
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                <text>1970</text>
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        <name>MosquÃ©e Assounna</name>
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                <text>En 1914, il est dÃ©cidÃ© de dÃ©placer le marchÃ© municipal situÃ© alors sur lâ€™ancienne place de France (Place des Nations Unies). Le nouvel emplacement est celui quâ€™a occupÃ© pendant deux mois lâ€™Exposition Franco-marocaine de 1915 voulue par le MarÃ©chal Lyautey afin de faire la promotion du potentiel Ã©conomique du pays.&#13;
&#13;
Le bÃ¢timent bas et dÃ©pouillÃ© reprend le style traditionnel des marchÃ©s du sud marocain. Sur un quadrilatÃ¨re au front continu, il est ponctuÃ© de boutiques sous les arcades le long du boulevard Mohammed V.&#13;
&#13;
A lâ€™intÃ©rieur, le corps central couvert est surmontÃ© dâ€™une ample rotonde qui abrite les marchands de poissons. La rue intÃ©rieure qui le ceinture est bordÃ©e de boutiques. FraÃ®cheur et ventilation sont assurÃ©es par des fontaines en zellijs traditionnels et dâ€™Ã©troites ouvertures fermÃ©es de moucharabieh de ciment.&#13;
&#13;
Huit accÃ¨s permettent de le traverser en tous sens. Lâ€™entrÃ©e principale a Ã©tÃ© soulignÃ©e rÃ©cemment par des encadrements sculptÃ©s et des panneaux de zellijs verts et jaunes.</text>
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                <text>Alluchon, Jacqueline</text>
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                <text>Guide des architectures du XXe siÃ¨cle de Casablanca, avril 2011, CasamÃ©moire et Mutual Heritage, p. 77</text>
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                <text>BOUSQUET, Pierre</text>
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                <text>License Creative Commons - PaternitÃ© - Pas d'Utilisation Commerciale 2.0 France (CC BY-NC 2.0)</text>
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